Comics Hate Group “Cancels” Ms. Megaton Man!

megatropolis, n.y.—Don Simpson’s controversial new Ms. MegatonMan Maxi-Series has the comic book hate group FRFB (Far-Right Fanboys) calling for a boycott, citing the work’s alleged “Social Justice Warrior agenda” that threatens their insecure, toxic-masculine “hobby.”

For Mature Readers: The Narrative Voice of Ms. Megaton Man

Telling the Ms. Megaton Man Maxi-Series in the first-person voice of Clarissa James solved a number of problems for me as I grappled with attempting to turn what had been a comic book series into a prose narrative. (As of this writing, six chapters have been posted online.)

Too Secure for Words: Academia's Plain-Language Problem

I recently heard a news story on WESA-FM, the National Public Radio affiliate in Pittsburgh, on a program at the University of Pittsburgh on coding. It seems that some zillions and zillions of jobs are going unfilled nationwide, and some eight thousand in the Pittsburgh area alone. The story said that mid-career professionals who were contemplating a career change was the perfect applicant they were looking for the program.

Thirty Years of Ms. Megaton Man: 1989 to 2019!

Here is the first page of sketches I did of Clarissa James in 1989 - up to that point a minor Civilian (Megapowerless) character in the cast of my Megaton Man comics - as Ms. Megaton Man. It was in an old hardbound sketchbook I took around to shows to collect sketches of interpretations of my characters from fellow pros (I've posted some of the more memorable ones here and there).

My Latest False Start, or, Why the Ms. Megaton Man Maxi-Series, Anyway?

As of this writing, I have composed eight chapters of what I call my "YA prose experiment," the Ms. Megaton Man Maxi-Series. Four chapters have dropped, to use the modern parlance, on my Ms. Megaton Man Blog, and one is scheduled to drop over the next four Fridays at 8:30 pm EDT. And there's plenty more where that came from.

The Phantom Mommy: When Retcons Spoil Your Fanboy Escapism

There was a time when hoping for a comic book-turned-movie project to fail would be treasonous. Now the noxious far-right in comics openly disparages any creative alteration to an established property they disagree with, hoping for the downfall – and calling for boycotts – of whatever latest blockbuster. The ideology of this fringe is incoherent and confusing – and entirely selective. Impenetrable and completely irrational to outsiders, their world view makes perfect sense to them, however; everything they don’t happen to like in comics and pop culture at any given time can be blamed on some Phantom Mommy who wants to ruin their naughty-boy fun.

"How Much Do You Need?" Hate and Jealousy in Comics, 2019-Style

The recent spate of comics hate that has emanated from certain dethroned creators reminds me of the early Image Comics years. I happened to have had a front-row seat, thanks to Moondog's Comics in Chicago, who hosted the Chicago Comicon in 1992, and my friendship with Larry Tales of the Beanworld Marder and Chris Eb'nn Ecker. Both worked for Gary Colabuono in the Moondog's central office and along with Bevin Brown, masterminded the Image Tent.

When a Giant Pencil is Worn to a Nub on South Craig Street: Yet Another Pittsburgh Arts Casualty

Just two weeks after the announcement that the Art Institute of Pittsburgh (once the flagship of a national chain of trade schools), and only a week after a realigned Pittsburgh Center for Arts and Media tacitly announced a downgraded role for traditional manual arts such as drawing, painting, and sculpture in their newest incarnation, an iconic Pittsburgh art supply store has abruptly announced it will be going out of business after 48 years.

PCAM: 21st C. "Arts" .org Too Ashamed to Mention Drawing, Painting, or Sculpture by Name

If you want another sign of how completely debased the word "art" has become in our twenty-first century civilization (not to mention the intellectually corrosive effects of an MFA in the visual arts), herewith the Friday, February 8, 2019 email announcing a new local arts .org (note the words drawing, painting, and sculpture are completely absent):

Spectrum Disorder: Whither Drawing? Part 2

Another sign that drawing is withering away from our culture: The newly-rebranded Pittsburgh Center for Arts and Media, ostensibly a fine arts .org composed of the ashes of Pittsburgh Filmmakers and the Pittsburgh Center for the Arts, issued a press release today touting its "agenda for advancing excellence in film, digital video, photography and the spectrum of visual arts." Drawing, painting, and sculpture, once a mainstay of classes at the old PCA are never mentioned by name, presumably falling under the "spectrum" category.

Presumably, such quaint traditional arts too insignificant anymore to break out individually.

Update: read the entirety of their press release here. 

Full disclosure: I took all three kinds of classes and taught several cartooning workshops there myself over the decades.

Some latter-day student work from the Carnegie Museum of Art adult studio program, before 2014.

This demotion of actual art in favor of recording media follows the news of the closing of the Art Institute of Pittsburgh, flagship for a chain of design schools that abandoned traditional art in favor of digital animation and other newfangled media at the turn of the millennium. (I once attended and taught there as well.)

Less than a year ago, the Toonseum shuttered its downtown gallery location and entered what was described as a year-long "curtains drawn" hiatus. Whether it will ever draw anything again besides curtains remains to be seen. (I was shown there and participated in a drawing workshop.)

Less than six years ago, Pittsburgh's Carnegie Museum of Art discontinued its adult studio art classes, including drawing. (I taught several cartooning, drawing, and sketching workshops there.)

As I remarked on Facebook, Pittsburgh, once a haven of culture, is becoming a drawing desert.

More: Whither Drawing? Part I