This is a sketch of Clarissa James in 1989, and one of the very first sketches putting her in the Ms. Megaton Man uniform that would become her trademark. Originally a minor character from the ten-issue Megaton Man comic book series (issue #4, to be exact), Clarissa became a core cast member with #11 (otherwise known as The Return of Megaton Man #1). After that three-issue series ended, she gained Megapowers of her own in Megaton Man Meets the Uncategorizable X+Thems #1. This sketch was a tryout of sorts to see if her transition to megahero, and specifically a female version of Megaton Man, would work.
Blurring the Boundaries between Text and Graphic, Word and Picture, Art and Culture
Friday, August 13, 2021
Sunday, August 8, 2021
Who's the Greatest Artist Alive Today? Meet Arne the Android!
I've written elsewhere on the death of drawing; suffice it to say, over the course of my lifetime, I've watched hand drawing go from just about its midcentury peak in Western Civiliation to its virtual extinction in the twenty-first century. Hand drawing (and its offshoot, painting) once appeared in and on everything including newspapers, magazines, hardcover dustjackets, paperback, editorial illustration, advertising, album covers, billboards, signs on the sides buildings, and everywhere else. Except for a few specialty purposes like children's books, comics, and The New Yorker, imagery of the hand has almost completely disappeared as photography and digital technologies have conquered every realm.