Eroticism in Don Simpson’s Comics, Part I of II:

Megaton Man, Border Worlds, and The Return of Megaton Man

           Proceed to Part II: The Megaton Man One-Shots, Anton Drek Comix, and Bizarre Heroes

          Note: A gallery of 22 archival covers and comic book pages appears below, following the text.

Megaton Man #1-10 (Kitchen Sink Press, December 1984–June 1986)

Eroticism was always a prominent subtext in the Megaton Man comics from the very first Kitchen Sink Press issue in December, 1984. The cover of #1 set the tone for the series: On it, a sexy Pamela Jointly, reporter’s notepad in hand, kneels barefoot next to a spread-eagle Megaton Man, draped only in a torn, red dress that threatens to fall from her bare shoulders. Although she’s fixated on what she’s writing and not his diminutive crotch, a bulge, nearly lost in the stretchy wrinkles of his trunks, is clearly in evidence.

Eroticism in Don Simpson’s Comics, Part II of II:

The Megaton Man One-Shots, Anton Drek Comix, and Bizarre Heroes

          Go Back to Part I: Megaton Man, Border Worlds, and The Return of Megaton Man

          Note: A gallery of 42 archival covers and comic book pages appears below, following the text. 

Whereas the ten-issue Megaton Man and three-issue Return of Megaton Man series both appeared in color, the next three Megaton Man comics appeared as black-and-white one-shots. In the economic and production-cost syntax of the time, color printing tended to be reserved for a wider, younger, more mainstream audience of superhero comics readers, and therefore necessarily hewed to G-rated or PG content. If Megaton Man was allowed to push those boundaries with illegitimate pregnancy, bulging male crotches and protruding female nipples it did so in the context of a humorous parody of superhero conventions, and the fact that it’s publisher has been a pioneer of adults-only undergrounds.